uncategorized Threads

• THIS FORUM HAS MOVED TO PHOTO.NET (Brian Mottershead)
• 1:19 ratio. How to figure this out? (Wayne Desbarres)
• What is happening with the forums. (Ed Buffaloe)
• farmers bleach in the bath tub (craig auge)
• Forum Move (Ed Buffaloe)
• Print Older Negatives (Mike Castles)
• Ilford recommendations on VCCE printing with dichro (Don Wilkes)
• Print Washing (Mike Castles)
• printing negative prints by contact printing positive enlargements (rosalie frost)
• Setting up darkroom... New problem... Light Corners (Christian Behr)
• Saunders 11x14 4 bladed easel - which one (Peter Schauss)
• First experience of lith printing - worked pretty well (Pascal Quint)
• TONERS FOR SALE CHEAP! (Mike Bunch)
• photoshop pictures too dark
• printing, matting and signing photos (Amy C. Smith-Mees)
• Contrast filters below the enlarger lens? (Ben Crabtree)
• Enlarger maintenance questions (Terry Durden)
• Adams & toning (Michael Veit)
• acurate prints... (Becka)
• Durst M-601 With Cold Head... Papers and Contrasts? (Christian Behr)
• Standard print sizes (Jordan Plawner)
• Matt stains after selenium toning (Adolfo)
• Durst 601 contrast problems (Dennis Jones)
• Panalure for Pyro (Xosni)
• Durst M601 enlarger (Ray Henrikson)
• Clean up tips (Justin Fullmer)
• (digital) Piezography 4oz=how many prints? (JM Woo)
• B&W photography periodicals (Xosni)
• Win XP driver for Minolta Scan Elite? (Angelique Bischop)
• TRI-X Pan Pro Development (Doug Delaney)
• Scanning slide films (sajeev)
• What is the number of B&W / Darkroom photographers in the U.S. today and how has it trended since 1980? (Ned Finkel)
• Demise of Greenspun.Com Imminent (Ed Buffaloe)
• Source for Rubylith (Pete Caluori)
• New email address (Sal Santamaura)
• How many B&W enthusiasts are there? (Conrad Hoffman)
• Screed on Disappearing Products (Ed Buffaloe)
• Need advice on starting a co-op gallery in Chicago. (Karen Michaels)
• Tips for photographs of indoor fire wood (Rui Edgar da Silva Guerreiro)
• New Moderator (Ed Buffaloe)
• My New Job (& how it will affect B&W World) (Mason Resnick)
• Good way to markup contact sheets? (Ben)
• Forum administration note (Mason Resnick)
• digital conversion of color negs/prints to quality B&W (Jay Johnson)
• Odorless Fixer (Christopher Hargens)
• bleaching and toning (kevin kemner)
• Printing with D-163 (K. Rajkumar)
• SpotPen problem (Richard Evans)
• shelf life of ilford papers? (alison)
• fixing rc paper (Larry Shearer)
• Print Flashing- What, How, and When (Paul MInkus)
• Your favorite dodging technique of people's EYES (Walt Bowen)
• B&W paper basics (ahmad hosni)
• Saunders Enlarger Information (Bob Kramer)
• Kodak a.b.c. Photo Lab Outfit (jere turner)
• Tmax 100 Developing Problem (Pete Caluori)
• loose Omega D2 lensboard (Pete su)
• How to pick up a print from smooth bottomed trays (Tony Rowlett)
• compensating timer (Larry Shearer)
• 2nd hand darkroom (Paula Turner)
• how do you print bad negs? (Erin C.)
• Selective bleaching (Don Sparks)
• I'm in the market for a good enlarger (curt millington)
• has anyone used texture screens (martha goldsmith)
• Enlarger exposure times (Mark Engers)
• timer (Jack Scott)
• Ferri (Oleg Boldyrev)
• Kodak Scam (tom reid)
• B&W prints from color slide originals (John O'Connell)
• Heard of Dunco englargers? (Lea Ann Sexton)
• Print Washer Recommendations (Kevin)
• test strip procedure (Buck Cochran)
• prints from underexposed negatives (Wei Chin)
• Having troubles getting started right in B/W (Dan Tyler)
• Experience with Heat Tac Mount Tissue (Achim Casper)
• VC filters with Aristo V54 head (Jay Lynch)
• Selenium/Sepia Split-Toning (Levin Haegele)
• FB paper tests (ian)
• filters for C700 (Sean Felhofer)
• Dry mounting hints... (Craig Brown)
• what do you know about the old wooden contact printers? (tom saffioti)
• Any suggestions for a syphon? (Paul Klingaman)
• Do you use reference-prints as darkroom aid? (Peter Olsson)
• color film for portraits (Erin Conroy)
• Red Village - reputable company? (jm thompson)
• old fashioned look (Jamie Moodenbaugh)
• Older Schneider (25mm mount) enlarging lens still OK? (Keith Kanoun)
• Please explain the importance of thorough washing (Lisa Gerrard)
• Is there any reason NOT to use a lab to develop B&W negs (Lisa Gerrard)
• Photo linen (Molly)
• UV focus shift on VC papers (bill zelinski)
• contact sheet (Mike Hindman)
• fortezo (hamad sharif)
• Has anyone used the Aristo VC Head? (Craig Brown)
• Storage life of Ilford Multigrade paper developer after dilution (Christopher Biggs)
• Help need daylab chemicals!! (Erin Conroy)
• Placing vc filters over the lens & using higher watt bulbs (bill zelinski)
• War against dust (Emilio Conesa)
• Selenium Toner with RC Papers (Harry Muntanion)
• Selenium + Sepia (Huw Crosby)
• toning (Erin Conroy)
• negative prints (martha goldsmith)
• medium format (Erin Conroy)
• 4x5 contact print frame (Todd Frederick)
• Azo paper (Todd frederick)
• Safer Alternative to Selenium Toner for Archival? (Walt Bowen)
• Where to buy paper (DK)
• Any Tips on Using Rockiloid Chrome Toner? (Gene Crumpler)
• Models Portfolio (Garry Segal)
• Ilford paper, good prices in Europe? (Peter Olsson)
• Are there any blue toner for fibre paper? (Patric in Sweden)
• kodak,RC, E, spotting, warm/cold/neutral (toby tochterman)
• Berg Blue Tone "bleaching" (Chuck Cypert)
• panalure paper.... (martha goldsmith)
• refrigeration? (john zimbelman)
• What is Digital Catus Printing + where? (Brownie Harris)
• anything special about panalure paper???? (martha goldsmith)
• selenium toner formula (Neeraj Mahajan)
• Thinking of a job in a lab? Read this first. (Peter Hughes)
• jobs in custom b&w printing in NY (lisa)
• Can this be right ??? (developing times) (Craig Brown)
• Hypo Test Kit (J.L. Kennedy)
• Is the El-Nikkor 80/5,6 better than the 75/4 ? (T. Heimlich)
• What glue to use in Photo Album? (T. Heimlich)
• Better image quality (Robert Slatkoff)
• Air Drying Prints (Craig Brown)
• Do I really need an APO lens? (Craig Brown)
• Print mounting (Adriano Savi)
• Multigrade fik=lters (shree)
• Cibachrome printing (tyson fisher)
• What's a good film for portraiture? (Mary Sacquety)
• Diffusion lens for Printing (Garry Segal)
• Anyone buy printing paper on Ebay? (James Chinn)
• experience wtih Ilford Multigrade 400 enlarging head (Michael Mathers)
• This is cold light? (Rusty Russell)
• Less-expensive archival print washers (Craig Brown)
• Forte Paper Tonality (Richard Jepsen)
• Problem with Agfa Fiber Paper (Henry Friedman)
• Difficulty getting good focus on my enlarger (Rick Mah)
• Can a 135mm enlarging lens be used with a 645 neg? (Craig Brown)
• How do I make B/W prints from color negs on a basic B/W enlarger? (Roy Meyer)
• Selenium vs Sistan effect on RC prints (bill zelinski)
• enlargments from 6x6 (Ryan Olson)
• Any experience with Red Village Photo Products ??? (Craig Brown)
• yellowing of framed prints (gus)
• Can you wait to wash ? (Craig Brown)
• HOW DO I PRINT BLACK AND WHITE PRINTS (GLENN COLLINS)
• New Web site (Steve Nicholls)
• Is the RC base it self stabil (Patric in Sweden)
• Hard water printing (Paul Arnold)
• Hard water printing (Paul Arnold)
• Does anyone know of a color printing forum? (Peter Hughes)
• Setting up a B/W darkroom (Jesse Anna Torrey)
• B&W printing magazines (Debbie Hilaire)
• Drymounting problem (J.L. Kennedy)
• Omega D-2 V and D-2 enlargers (Mei Leng Lau)
• RC Paper...bad?! (Garry Segal)
• Self Publishing (Hank Fanelli)
• How do i make a porfolio? (Robin Lambert)
• Enlarger Lenses for Bessler 23IIC (Orman Hall)
• Any body have any ideas on how to make 8x10 prints less grainy (Chris)
• Colour head for Durst M605 (Chris Cartwright)
• Making New Western Theme Photos, What is the org's site? (Shawn Atchley)
• "Primacy of Local Contrast" article location? (Nacio Brown)
• selenium toned fb papers produce reddish hue why? (ken gridley)
• STAINS/SCUM ON PRINTS WHEN SEPIA TONING????? (david strachan)
• Wollensak 135mm Enlarging Lens (Mary)
• Neutol+ vs Neutol WA? (Nacio Jan Brown)
• 50mm Componar can't be focused? (Walter F. Black)
• I need help . . . Omega D2 Enlarger (Mary Frazier)
• Fuji Neopan 400 drying problems (John Stewart)
• F.S. Medium Format Leica Enlarger (Jim Vanson)
• Bluetone stains (Antti J. Hyvdrinen)
• Omega D 3 Autofocus adustments , How To ? (Russell E Brubaker)
• ammonium thiosulfate (Don Eastman)
• enlarger's aperture??? (shree)
• A. Schacht enlarging lense (Karl Almquist)
• Durst M600 B&W enlarger - info please (Michael Chappell)
• Black and White Prints from Color Negatives (Gene Pierson)
• Fixing, Selenium Toning & Washing (Jim Vanson)
• Dektol crystallizes out of solution (Conrad Hoffman)
• acetic acid ???? (Shreepad)
• exact process? (shreepad)
• Seagull VC Paper -- A Report (Peter Hughes)
• FB paper with bright whites (Ryan Olson)
• Icky black stuff appearing on RC prints in water holding tray (Tony Rowlett)
• Amidol Developers (Kevin Kemner)
• archival processing (jeremy)
• why bother with regular darkroom? (w. schweigert)
• Getting deep blacks in current papers (Sam)
• Aligning Omega67xl enlarger (Naomi Diamant)
• Photo-Flo substitute (Don Eastman)
• how long do chemicals last in the tray? (jeremy illingworth)
• mirror image (jack swallow)
• HELP ME! I'M JUST A CHILD! (sara Lim)
• Spotone print retouching Questions (Dan Stanley)
• Developing process for B+W (Fritz Robinett)
• Parts For Elwood 5x7 Enlarger (Richard A. Johnson)
• One minute of fixing is enough! (Thomas Wollstein)
• PP TF-4 Fixer (Michael J. Kravit)
• Zone VI Fixer (F-6 formula) (Tom Schumacher)
• Kodak hardening fixer--brittle prints? (shawn gibson)
• Kodak Polymax Fine Art shelf life (Jeff Thompson)
• graded & multigrade paper (hamid kalkatechi)
• Archival longevity of fiber base prints properly toned (Ed Buffaloe)
• FB paper -- short wash time (Paul Arnold)
• bleaching (w/ javex) prints--how to archive/avoid yellowing? (shawn gibson)
• Is toning necessary to preserve prints? (Chris Birch)
• cold lights (gil garcia)
• toning and exposure:RC vs FB (ryan olson)
• Advice for starting a darkroom. (Rachel Dobhran)
• B+W Paper In a Beseler Drum Processing (Yehuda Mermelstein)
• Getting Text on Pictures (Marc Gravel)
• Contrast difference between Ilford MGIII Pearl vs Glossy (Peter Korsborn)
• purple prints (Greg)
• Beseler 45 M (Claude trudel)
• Selenium Toning VC Fibre Papers (Gary Grenell)
• Agfa Multicontrast Classic...neutral to warm? (shawn gibson)
• Halo-Chorme silver toner (Mike Hindman)
• B&W Developing Question (Martin Ceperley)
• variables involved in anticipating the values of a dried print (shawn gibson)
• condenser or dichro dilemma (Dan Bruner)
• selecting the right enlarger lens size. (bill zelinski)
• Testing paper for fogging (Paul Arnold)
• Selenium Toner - how safe and how much ventilation (Ernest Nitka)
• Kodak ektalure paper (Linda Robers)
• How can I make photoghraphic paper? (samart hirunyatragarn)
• Ilford EM-10 Exposure Meter (Andrew Vera)
• Need info on Beseler 23c II enlarger (Sharon Krikorian)
• supplies stores (Sophie Rothrock)
• Variable contrast cold light versus filters and cold light (Har-Prakash Khalsa)
• Mural size prints (Har-Prakash Khalsa)
• saving paper (Ryan Olson)
• ANNOUNCE: PhotoHighway.com (Mason Resnick)
• Vivitar VI Enlarger (Nancy Hardison)
• Used B&W Darkroom equipment (Mary Lou Stant)
• spot toning (Rick Mah)
• Selenium Toning - washing (Tim Bolotnikoff)
• another help with choosing enlarger questino (bill zelinski)
• DEVELOPING COLOUR TRANSPARENCY IN B&W CHEMISTRY????? (david strachan)
• incompatibility between Agfa developer and Ilford paper (marco moroni)
• Ordinary spot in enlarger (wim)
• B/W Darkroom and septic (Duane Heller)
• Chemical Tempratures (Andreas Elia)
• toxicity and safety in handling toners (maquette)
• Filing Down of Negative Carrier and pleasant tones (Paul Klingaman)
• Instruction manual for ESECO Densitometer (Donald R. Cassling)
• Leitz Focomat V35 (Andreas Elia)
• Max Black (Harry J Vrobel)
• Schneider 135/1:5.6 enlarger lens (Joe Hughes)
• Leitz Focomat V35 (Andreas Elia)
• Omega C670XL and Saunders 670 enlargers (Dan Bruner)
• Streaks on prints (Matt Roan)
• Luminos Papers (Heather Anderson)
• Pyro? (Gari Buenavista)
• El-Nikkor enlarging lens (J.L. Kennedy)
• Schneider-Kreuznach Xenar f4.5 150mm enlarging lens (J.L. Kennedy)
• Best f stop of Leitz Focotar 100m/m (FABIO FANTAZZINI)
• Selenium toning with bleach (Guy Brown)
• Is it REALLY Oriental? (Walter Massa)
• Help (Frank Shepherd)
• how to have the true white in printing ? (marco moroni)
• Leitz Focotar Lens (Joe Hughes)
• Darkroom (Jesse Fry)
• Drying Fiber Prints (Paul Klingaman)
• Sellenium Toning (Greg Augustine)
• One tray processing technique? (bill zelinski)
• Black line with pen on white border (Gert Raskin)
• Blue toning (Bob Tipton)
• Do you POP? (Chad Jarvis)
• Contact printing? (Linda Cooper)
• Cold Light - What to expect?? (Paul Klingaman)
• Versalab's Print Washer? (Todd Wilson)
• How do Bergger papers compare? (brian jefferis)
• Bulb lamp color change affects VC paper grade? (Gert Raskin)
• Minolta Enlarger Lenses? (George Lee)
• super 8 development stuff (wim van gelder)
• Using our Stuff (Whit Majors)
• BW filtration Beseler 67 (Charly)
• Lith-printing developer formulary (Silvio Jander)
• Why did my $8 150w enlarger bulb blow after 5 seconds? (Greg Brosnan)
• thiocarbomide sepia toner/thiocarbomide silver gelatin (brad daly)
• Sterling Lith (Robert Osmark)
• Darkroom space &storing chemicals (Mei Leng Lau)
• Above & below the lens multigrade filters (Robert Carew)
• Beseler 67 Printmaker (Dan Bruner)
• Advice for easier enlarged proof making (David Primm)
• How do you enlarge your negatives for palladium prints?
• chemistry of negatives (Lara Rafton)
• Out of focus towards edges of print? (Greg Brosnan)
• Thiocarbamide toning (Andy Laycock)
• Old vs. New Brilliant (Nancy Goldstein)
• Sepia toner shelf life (Barrie Fanton)
• how make creative boarders? (nic montagu)
• can a cheapskate use a domestic lightbulb in an enlarger? (Greg Brosnan)
• ferrotype plates (Brian Jefferis)
• Kodak Portralure (Larry Welker)
• Fixing and washing RC paper (Greg Augustine)
• Looking for a good air filter (Sharon Bussert)
• Auxillary condenser for Omega B66 enlarger (Mei Leng Lau)
• Has anyone ever used this bleach? (Brian Jefferis)
• Archival RC Paper (Curtis Buyser)
• I'm having a B&W Printing Problem and I need help! (Gabe Sachs)
• Zone 6 Paper (Hap)
• Info about Kodak Polymax Papers (Gene)
• Info on Beseler Printmaker 67 (J.S)
• Unsharp masking (Henry Friedman)
• What do toners/filters in devt process do? (Greg Brosnan)
• Zone VI VC head with ZVI or Metrolux compensating timers (James D. Steele)
• Keeping properties of Ilford Multigrade developer (Guy Brown)
• Rodenstock vs. Schneider (Ellie M. Diaz)
• Ilford filters, MGIV RC Deluxe and C760 dichroic (Keith Benoit)
• Platinum printing (James Fazio)
• Archival Print Washers? (John Rountree)
• P.S. shelf life of selenium toner (Debbie Hilaire)
• shelf life of selenium (Debbie Hilaire)
• Larger Negative Carrier for Leitz V35 (Larry Hertzler)
• Forte Polycontrast Warmtone (Jeff Damron)
• Printing XP2 on VC paper (Jeff Damron)
• Leitz Enlargers (Andreas Elia)
• Uneven light illumination from cold light head (Alexandra de Steiguer)
• Omega D2 vs. DII Enlargers (Michael Heath)
• cleaning processing trays (John Rountree)
• AgfaMat Classic Lattitude (Don Minton)
• Photographic pens for spotting? (Steven)
• where to buy components for homemade developer? (David Podorson)
• well water and print discoloration (evelyn yauk)
• the chemical reactions in printing (Benan Ilhanli)
• Anyone have a favorite 4x5 Enlarger? (Robert Hubbard)
• B&W Printing From Color Negatives (James W. Rock)
• how to bleach before selenium toning? (Joel Pickford)
• Print Staining (John R. Fowler)
• Graded FB Papers vs. Multigrade VC FB (Peter Thoshinsky)
• RC: Archival or not?? (Debbie Hilaire)
• Platinum toner (Rick Perkowski)
• Which On-Line Bookstore To Buy From? (Mason Resnick)
• Negative Carrier (David M. Tibbs)
• Focomat V35 module (don canning)
• Use of Hypo clearing agent in selenium toning? (Mei Leng Lau)
• SPLIT MULTIGRADE FILTERS WHEN PRINTING??? (David Strachan)
• selenium toner and Ilford archival sequence (Greg Coates)
• Brightener Enhanced Whites? (Jeff White)
• Luminos Flexicon VC RC paper? (Cat Johnson)
• Focusing with a Durst M605 color enlarger (Josh Earhart)
• Filtering b/w-prints w color enlarger (Wim)
• Developer Allergies (Sean yates)
• Reciprocity and B&W printing (Julian Young)
• WTB: Beseler 35mm Negatrans Carrier (Mason Resnick)
• Polymax C paper? (Jim Williams)
• Developing Kodak paper in Ilford developer (Kevin B. Finigan)
• Technal Print Dryer (Mason Resnick)
• How did you significantly decrease dust in in your darkroom (Peter Olsson)
• Ethol LPD (Mason Resnick)
• Paper sparks? (Christina Reilly)
• Safe Light Warning (Gene Crumpler)
• Has anyone tried Arista Paper (Wes Martinson)
• When to take print out of developer? (Ian MacDonald)
• The Durst Multigraph enlarging head (Standish Lawder)
• Black & White with some color. (Penny LaRochelle)
• Durst Laborator 138 Point Light Source (John Divola)
• Focomat V35 easel (don canning)
• Vivitar 6 enlarger accessories (Miles Standish)
• developer problems??? (brian cormack)
• Stainless steel tanks (Steve Nicholls)
• Primo Easels (Standish Lawder)
• Burned edges around image (Christina Reilly)
• Manipulating Prints (caitlin)
• Glass vs. Glassless Carriers (Michael Heath)
• Color-head or manufacturers filters for VC-papers? (Peter Olsson)
• How to use spotting kits? (Sacha Petersen)
• Permafilm (Steve Swinehart)
• I blew up my enlarger!!!!! (Eve Henry)
• pyro (peter)
• Selenium toner? (Petie Littfin)
• Dealing with minor scratches on negatives (John Sarsgard)
• enlarger choice (peter white)
• Brown toner problems (Arthur Nichols)
• Kodak Polytoner (Thomas L. Schumacher)
• Cold water print wash a problem? (Phil Stiles)
• Do enlarging lenses have selective focus? (Joel)
• Ilford FF? (mike rott)
• rodenstock enlarging lens (mark lindsey)
• Enlarger bulbs have different intensities? (Regina Hugo)
• enlarging lenses (bb)
• 3 new forums in B&W World! (Mason Resnick)
• Problem with stains (Sascha Milkereit)
• B&W prints from color negs (Mike Knapik)
• The Fate of Brilliant Paper (Stephen Serio)
• FYI: Oriental Seagull Available Again (Darron Spohn)
• What size lens on an Omega B-22 (xl) (Craig Brown)
• what brand of black and white chemicals to use? (jennifer luttrell)
• Cleaning dry mount press (Sean yates)
• Durst Cls 35 & Ilford MGIV (Frank Alvaro)
• BARITA Vs RC (Jotxo Caceres)
• Grain focuser on easel or on paper? (Peter Olsson)
• bleaching and toning together (Joel Pickford)
• Paper (Scott Marcinkus)
• Manipulative Photos (Scott Marcinkus)
• Making a print washer? (Keith Benoit)
• Age of enlarger lamp affecting exposure time (Mei Leng Lau)
• Printing Problem (Omar Ozenir)
• Agfa Viradon problem (James Moore)
• Enlarger Alignment (Jeff White)
• Fujinon EP 90mm (David Hills)
• Ilford Galerie (Miles Standish)
• Cheapest Place to buy a Rotatrim? (al)
• Printing PMK Negatives on Variable Contrast Paper (Paul Nicholls)
• split-toning (Joel Pickford)
• Bessler Cadet Enlarger (Terry Godwin)
• warm-tone developers (Joel Pickford)
• PhotoPlus Expo (Mason Resnick)
• Adorama quick print auto processor (Chet Baxter)
• Ortho Litho film negatives from Color? (Andrew Jones)
• Darkroom Safe Light Options (Gene Crumpler)
• RFC: New Photo Discussion Forum? (Mason Resnick)
• black & white printing (joseph arenas)
• color negatives in B&W (Andrew Jones)
• B&W "plastic overhead" prints (Andrew Jones)
• Paper Developer Comparisons? (Peter Hughes)
• Enlarging Table (Gene Crumpler)
• brushes (David Anderson)
• matting (Rose S.)
• Asking price for an old Kodak Ektamatic paper processer (Bill Riemenschneider)
• Selenium Toning with Ilford MG IV FB Paper (Robert Thomas)
• machine processors for RC (Joel Pickford)
• Comments regarding Ilford Warm Tone Fiber Paper (Thomas L. Schumacher)
• Help in Identifying Source of Discoloration/Contamination (Peter Thoshinsky)
• Nelson Gold Toner questions (Peter Hughes)
• RC paper-longevity (Jim Read)
• Kodak Polymax T dillution (Yannis Zampelis)
• durst laborator 1000 neg. inlays (serge chamuleau)
• Replacement Glass for a Negative Carrier (Francis T. Knapik)
• Unsharp Masking (Jeff White)
• Value of Leitz Focomat Ic (Ulrik Neupert)
• Paterson Dark Room Exposure Meter without manual (Wim Van Gelder)
• Fujimoto color-head and Ilford Multigrade Filters (Boze Jean)
• Fujimoto color-head and Ilford Multigrade Filters (Boze Jean)
• What's A Productive Darkroom Session For You ? (Peter Thoshinsky)
• Your Favorite RC Paper? (Larry Korhnak)
• Can mat board be spray painted with good results? (Thomas Horan)
• Can I use a 30mm. lens on an Omega c-700? (Thomas Horan)
• What Happened to Darkroom On-Line? (Mason Resnick)
• Ilford MG IV Warmtone RC (Jim Vanson)
• gelatin silver prints?
• Free Chat Area (David Norcross)
• Large format printing (Justin McMaster)
• Any info on return of Oriental Seagull (Sergio Ortega)
• Omega C700 (Denise Clay)
• Ilford Warm Tone Fiber and Selenium Toning (Thomas L. Schumacher)
• Need steps on the process of developing and printing B+W film (Belle Plaisance)
• Medium and Large Format Photography (bigcamera)
• Gallery pointers (Don Minton)
• De Vere 203 and Ilford Multigrade 400HS head (david Levenson)
• Plastic? Contamination? (Albert H.)
• print contrasty? (linda cooper)
• portfolio info please
• Componar vs. Componon (Clark Farrar)
• to tone or not to tone (ray tai)
• Numbering prints (Christina Reilly)
• aristo cold light head wiith variable contrast paper (david small)
• DIY Slot Processors? (Keith Hollister)
• Potassium Ferricyanide {Bleach} (Jeff White)
• printing in a rented darkroom (steve chung)
• DeVere cold head (Alan Gibson)
• Archival Washer (Robert Thomas)
• How much $$$ to charge for prints??? (Jessica Smith)
• color enlarger for black and white (Jessica Smith)
• WANTED: 16x20 Multiprint easel (Mark Segstro)
• Black & White printing to get a sepia effect (Mario Cormier CET)
• Diffuser Enlargers (Grant A. Thompson)
• Are you old enough? (linda cooper)
• Sepia toning method (Ken Proper)
• Platinium print process or platinotype process? (Ken Proper)
• Black (or white) diffused border around the print image (Daniel Banas)
• Display on the website (John Carolan)
• Repeat Thiourea Toning?? (Jon J. Eilenberg)
• Drying FB Paper (Rico Paolino)
• How to get a uniform border round prints (Rowland Walsingham)
• Split contrast printing calibration (Richard Newman)
• split contrast printing (jeff thompson)
• Enlargers -- Recommendations (David Parmet)
• Odorless Sepia Toner (Phillip Allen)
• Salt Bath?? (John Carolan)
• RFC: B&W World Classifieds? (Mason Resnick)
• medium format enlargment question (Karen Jenkins)
• B&W papers?? (Howard Posner)
• Mounting Prints - What methods are best ? (Anthony Roach)
• Re: Can I get a BW print from a positive? (Jae)
• Lucky Enlarger 60M (Hollie Domschot)
• Use Hypo Eliminator twice (Milkereit,Sascha)
• Resisto PaperN2 (Al Zolman)
• Neutol keeping properties (Kip Babington)
• The latest VC-cold light from Calumet/Zone VI (Steve Serio)
• The latest generation of Zone VI Brilliant Bromide (Steve Serio)
• Enlarger meter aka Lightmeter (Kenneth Seah)
• Kodak Azo Paper for 35mm contact sheets? (Kip Babington)
• Water Temp Regulator (Lee Freedman)
• Building a Lightbox (Gary Carter)
• Newton rings ......... :-(( (Klaus Werner)
• mounting fiber prints (Garry Belinsky)
• Beard and Quadra Easels (Mike Leitheiser)
• Calumet's Brilliant paper (Steve Serio)
• VC cold light or dichroic head? (Colin Potts)
• enlarging wheels for huge prints (Jeremy illingworth)
• advise on which mat cutter to buy (Christina Reilly)
• Discoloring of old RC prints (Kip Babington)
• submit 4x6 prints or 35mm slides?? (John Carolan)
• Split Developers (Harold Todman)
• gold toner (Mike Rott)
• Kentmere users?? (Kenneth Seah)
• Zeith UPA Enlarger (Klaus Werner)
• Brown stains on VC FB paper (Kenneth Seah)
• enlarging computer (Kevin On Man Lee)
• Cropping prints from 6x6 negs (Luke Phillips)
• Forum Changes (Mason Resnick)
• Paper age spots (Tony Mastres)
• mixing chemicals (Peggy A. Harrison)
• Looking for rich Blacks (mark munro)
• Exposure Meter Gadget - Lunasix (Jose Henrique Fatia da Silva (Brazil))
• Portriga availability (Tony Mastres)
• C700 Enlarger (Joe Shout)
• Split toning sequence? (Dan Smith)
• Trouble with selenium toner (Roam P.)
• Luminos Silverprint vs Rockland Liquid Light Liquid Emulsions (Kevin Finigan)
• exposure time is too short!! (Angelica van Houwelingen)
• Azo Contact printing paper (Jim Ryder)
• Mini Enlarger (ray tai)
• Need advice on framing materials/methods (C. John Nemaric)
• Luminos Paper (Kevin Finigan)
• 6x7 negative carrier needed for Honeywell/Nikor (Mark Ebert)
• What enlarger do I want to buy? (Don Noll)
• Z6 cold light head and VC papers (Jack Gottlob)
• New vs older enlarging lense designs (Eilert Anders)
• Help on Printing! (Drew Harvey)
• Hypo eliminator effectiveness with ammonium fixers. (Carlo Rogialli)
• graded paper choices (Jim Ryder)
• Is film analogous to 'plastic' paper (Andy Laycock)
• Testing Fixer strength (Dan Smith)
• DUNCO ENLARGERS (Dan Godin)
• Enlarger Lens for Medium Format (Phillip R. Allen)
• Fiber Ilford processing (Albert H.)
• Lith printing with Kodalith developer (Jay Langham)
• Scrathed Negatives (Cheryl North)
• Re: Fiber base paper vs RC paper quality. (Dell Elzey)
• Anyone got any suggestions? (Lesley)
• B&W Prints from Color Slides? (Mason Resnick)
• Water-saving Print Washing? (J. Hathcock)
• Negitave Scanners - recomendations? (Alex Crick)
• Printing to match display conditions (Dan Smith)
• Kodak filters with Ilford paper? (Larry Lowy)
• Omega B22 Enlarger (Calvin Gentry)
• llford vs kodak (Larry Lowy)
• Fiber vs. RC quality (Luke Phillips)
• Depth of field preview?
• bleaching prints w/ potassium ferricyanide (Frank Miller)
• Used print washer, dry-mount press? (Brian Conklin-Powers)
• Beseler 45V-XL enlarger (Gary Grenell)
• ANNOUNCEMENT: B&W Bookstore Grand Opening! (Mason Resnick)
• making black and white prints from old color negs (oso)
• warm tone,multigrade ,fiber based papers (oso)
• Ilfochrome classic prints from Scala/print surfaces (Dan Smith)
• Developer mp. change during printing session (Rick W. Stiles)
• Is any one printing with a Zone VI enlarger? (Ron McElroy)
• Aperture and Contrast (Fred Schmidt)
• Enlar.Filters-Fiber Paper (Albert Hasselsjo)
• Orbit bath with Fiber (Paul W. Rodney)
• Welcome! (mresnick@idt.net)