To Hear Ourselves As Others Hear Us

• Lesson Notes
• Use of pedal
• Ribbons in a small room
• Microphone you use in concert
• Repeating notes
• 2004 update - TC-D5M still better than digital?
• small recording devices for making audition cd's
• AKG C1000S or Stereo Mic for MD recording?
• Coles 4040
• "Musician's Ear" mike designed by JB now available
• My new concert album
• Overcoming emotional barriers to recording yourself
• What a wonderful book.
• Tube Reel To Reel Recording
• The question of interpretation
• Ohio State U. accepts first "Ear" mike
• Mic placement for solo piano
• Pix of "Musician's Ear" stereo mike
• "Ear" Microphone now being produced
• the first Musician's Ear mikes
• Best mike for the classical guitar....
• How to get the book quickly
• Teaching through actions rather than words
• Microphone choice: Coles 4038 or Royer R-121?
• theory
• playing "blind"
• piano, Is it a hobby?
• Mic Recommendation
• Marantz Cassette Recorders
• short report on royer ribbon mics
• A few questions about recording bass instruments
• New Mike - 2nd Interim Report
• New Mike: Interim report
• Summer workshop
• Fast vs slow practice; minimum equipment to add to home
• Hassle-Free Microphone
• Exactly what the heck does the "middle pedal" do?
• How do I stop obsessing over sound quality?
• Sony TC-D5M AC adaptor
• Best mic placement; where to get AC adapters
• Stereo Recording Techniques for Omnidirectional Microphones
• Magnesaurus
• Know Thy Piano
• Recording with a PC
• Is my reviewing useful?
• Digital recorder review now available
• No Tape Recorder Required!
• Stereo or mono?
• Digital or Analog?
• Pictures
• Purchasing Sony's in Japan
• Using your steor tape deck instead
• On jazz, singing, and ear training.
• Portable recording equipment
• Seeking a place to do music learning research
• Sony TCD - ?
• playback
• Sony TCD 7 & Microphones
• Differences between Sony TCD-D8 and D5
• Are mini-disk recorders better than CD?
• Easy ways to practice better
• getting started
• outlining
• Alternatives to repetition of passages in works
• What about pieces that are "too hard"?
• Who's using the book?